Dillon, Curator of the Tower Armouries. Space will not admit of more notice of this unique volume. Its author seems to have worked almost entirely for the nobles of the court of Queen Eliza-beth ; only two of the designs were made for foreigners. Of the famous armourers of Italy, the Missaglias, Negrolis, and Campi; and of the great Colman family, Seusenhofer and Wolf, the master-craftsmen of Germany, we can do no more than mention the names. Experts in armour, like Baron de Cosson and Herr Boeheim, have in the various archaeological journals of England and Germany brought to light many interesting facts about these armourers, but the confines of this handbook do not admit of detailed quotation, nor, indeed, is it neces-sary to study these details till the primary interest in defensive armour has been aroused. When this has been achieved the student will certainly leave no records unexamined in follow-ing to its farthest extremes, this most fascinating study.1 It is almost superfluous to discuss the third of our axioms, namely, that which concerns the confession of material. All armour of the best periods does this to the full. It is only under the blighting influence of the Renaissance that we find metal so worked that it resembles woven fabrics, or, worse still, the human form and features. The limited space at our disposal precludes us from investigating the various Coats of Fence, or body protections of quilted fabrics with metal, horn, and other materials added. Mention has been made in the chapter on the Transition of the Brigandine, which formed a very serviceable defence without being 1 Boeheim, Master der Waffenschmiedkunst ; De Cosson, Arch. Joum., vol. xlviii. FIG. 32. Archer wearing jack From the Beauchamp Pageants fifteenth century. 66 THE WEARING OF ARMOUR CHAP. Ill