allowing an expansion or contraction of half an inch or more to each lame. It is somewhat difficult to explain this ingenious arrangement in words, but Fig. 27 will show how the straps and rivets are set. When the tassets were discarded about the end of the sixteenth century the cuisses were laminated in this way from waist to knee. The gauntlet is generally found with a stiff cuff, and from wrist to knuckles the plates in narrow arches overlap towards the arm, where they join a wider plate which underlaps the cuff. The knuckle-plate is usually ridged with a rope-shaped crest or with bosses imitating the knuckles. The fingers are protected by FIG. 26. Solerei. Side. Back. Front. FIG. 27. Method of using sliding rivets. small plates, from four on the fourth finger to six on the second finger (in some examples there are more or less), which overlap from knuckle to finger-tip. The thumb is covered in like manner, but has a lozenge-shaped plate to connect it to the cuff. This metal hand-covering was sewn on to a leather glove or attached to it with leather loops (Fig. 28). The vambrace is generally rigid, either a solid tube or hinged on the outside and fastened on the inside by straps or hooks. It is held to the lower edge of the coude by a rivet. The lower portion of the rerebrace is also tubular, while the upper portion, where it joins the pauldron, is often laminated, with the plates overlapping, downwards as a rule, though there are instances of these plates overlapping upwards. They are joined in the same way as the laminated tassets by a riveted strap on the inner side, and by sliding rivets at the back, thus giving the arm freedom of movement forwards in the direction most needed, but less freedom towards the back. 58 THE WEARING OF ARMOUR CHAP. Ill