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CHARLES G. ADDISON, ESQ. The history of the Knights Templars, Temple Church, and the Temple


Sir John Froissart's Chronicles of England, France, Spain and the Ajoining Countries from the latter part of the reign of Edward II to the coronation of Henry IV in 12 volumes 

Chronicles of Enguerrand De Monstrelet (Sir John Froissart's Chronicles continuation) in 13 volumes 

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The history of the Knights Templars, Temple Church, and the Temple
page 310

bodily anguish. These sculptured visages display an astonishing variety of character, and will be regarded with increased interest when it is remembered, that an arcade and cornice decorated in this singular manner have been observed among the ruins of the Temple churches at Acre, and in the Pilgrim's Castle. This circular aisle or cloister is lighted by a series of semicircularbeaded windows, which are ornamented at the angles with small columns. Over the western doorway leading into the Round, is a beautiful Norman wheel-window, which was uncovered and brought to light by the workmen during the recent reparation of this interesting building. It is considered a masterpiece of masonry. The entrance from the Round to the oblong portion of the Temple Church is formed by three lofty pointed arches, which open upon the nave and the two aisles. The mouldings of these arches display great beauty and elegance, and the central arch, which forms the grand entrance to the nave, is supported upon magnificent Purbeck marble columns. Having passed through one of these elegant and richly-embellished archways, we enter a large, lofty, and light structure, consisting of a nave and two aisles of equal height, formed by eight clustered marble columns, which support a groined vaulted ceiling richly and elaborately painted. This chaste and graceful edifice presents to us one of the most pure and beautiful examples in existence of the early pointed style, which immediately succeeded the mixed order of architecture visible in the Round. The numerous elegantly-shaped windows which extend around this portion of the building, the exquisite proportions of the slim marble columns, the beauty and richness of the architectural decorations, and the extreme lightness and airiness of the whole structure, give us the idea of a fairy palace. The marble columns supporting the pointed arches of the

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